A great example of British kitchen sink realism, Tony Richardson's 1962 "angry young man" film, The Loneliness of the Long Distance Runner, has just been released on DVD. Colin Smith (Tom Courteney) is a bitter young man from a working class family. Uninterested in school and determined not to follow his father into factory work, Colin and his friend Mike (James Bolam) make their pocket money through petty crime. When they're arrested for the robbery of a bakery and sentenced to reform school, the Governor of the school (Michael Redgrave) takes a keen interest in Colin, but he cares less for his rehabilitation than his gifts as a broken-field runner. Colin finds himself torn between the need to please his captors and play the game and his determination not to participate in what he sees as a corrupt system.
Considered an example of British New Wave filmmaking, The Loneliness of the Long Distance Runner owes a lot to the innovations and themes of French New Wave films (The 400 Blows especially), such as long tracking shots, jump cuts, and the use of handheld cameras, but it also shares its focus on themes of individual angst. Having watched his father work for the local factory all his life only to die of a work-related illness, Smith has a clear understanding of working class oppression. Smith expresses a Marxist view of class inequity. As a member of the working class he feels that whether by working or by spending money his actions only go toward enriching the powerful and assisting his own oppression. The Loneliness of the Long Distance Runner is a thoughtful film, socially engaged, artistically skillful, and extremely relevant in today's corporate/consumer culture.
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