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Considered an example of British New Wave filmmaking, The Loneliness of the Long Distance Runner owes a lot to the innovations and themes of French New Wave films (The 400 Blows especially), such as long tracking shots, jump cuts, and the use of handheld cameras, but it also shares its focus on themes of individual angst. Having watched his father work for the local factory all his life only to die of a work-related illness, Smith has a clear understanding of working class oppression. Smith expresses a Marxist view of class inequity. As a member of the working class he feels that whether by working or by spending money his actions only go toward enriching the powerful and assisting his own oppression. The Loneliness of the Long Distance Runner is a thoughtful film, socially engaged, artistically skillful, and extremely relevant in today's corporate/consumer culture.
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